Bibliothèque Nationale de France

Marcel Proust is considered one of literature's most important and influential writers, one of the most admired, commented, translated and adapted. His work has been translated on every continent and remains a source of inspiration for authors and researchers around the world. An exceptional collection BnF has the opportunity to acquire an exceptional collection of manuscripts, correspondence, drawings and early works by Marcel Proust, from the heirs of Suzy Mante-Proust, Marcel Proust's niece. This considerable collection (over 900 items) would be an unprecedented addition to the Library's collection. It includes: unpublished drafts by Jean Santeuil and numerous manuscripts of À la recherche du temps perdu. It would complete the works already in the Library's collection since 1962. In fact, in some case it would join two halves of one same work which were seperated over time. This acquisition would open up new fields for Proustian research, as the many unpublished and unknown manuscripts reflecting the different stages of work in the cycle of La Recherche du temps perdu would shed new light. Need more information? Contact us: kara.lennon-casanova@bnf.fr

Salle des Vélins - Richelieu The salle des Vélins , belonging to the Department of Maps and Plans of the National Library of France, kept the leather portfolios of the Anville fund and the most precious portulans of the department, houses a painted ceiling from the painted decorations of the former Hôtel Mazarin, reassembled by Roux -Spitz almost in the same place following a process identical to that adopted for Mazarin's bedroom. The Vélins ceiling is one of the works classified as historical monuments , and has not been restored as part of the recent restructuring operation. It was protected during the works by a plastic film. Painting by Simon Vouet The decoration of the ceiling is an integral part of the decorative program established by Mazarin for his palace between 1640 and 1650 in parallel with the realization of the Mazarin gallery. The central painting from 1646-1648 is attributed to the school of Simon Vouet . But the stylistic characteristics and the pictorial finesse of the central composition strongly suggest that it is by the master's own hand. Simon Vouet is one of the most important French painters of the 17th century . Painter to King Louis XIII, he helped make Paris one of the artistic capitals of Europe. Thanks to this restoration, we will be able to know if the painting is by the artist Simon Vouet. Decorative program The eight small format compositions (representing cherubs holding the cardinal's attributes and four allegorical figures) frame the three main compositions: In the center, Peace (cf. the olive branch that the female figure holds in her hand) is being crowned by Victory. Peace touches a Roman fasces (one of Mazarin's attributes) with his foot, while two cherubs ward off the harpies. This set symbolizes the victory of France (and therefore of the cardinal) over its enemies. On either side, two other compositions representing one Abundance (on the left), the other Public Felicity (on the right) further underline the good government of Cardinal Mazarin. Why now? After the completion of the work in the Hotel Tubeuf, in September 2022, damage was observed on this ceiling: loss of substance, cracks, opacifying alteration of the varnish evoking a degradation of the type chanci. A diagnosis was requested from the Mariotti workshop for the decorations and from Alix Laveau, restorer at the Mazarin gallery and the chief architect of historical monuments, Michel Trubert. Help us save this historical treasure by supporting this emergency restoration. For more information, contact Kara Lennon Casanova, head of development : kara.lennon-casanova@bnf.fr